Petros Agapetos
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Argument from Design
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[TD]It would have to mean that the designer of this plan was unbelievably lazy and inept, or unbelievably callous. And cruel. And indifferent. And capricious. And that is the case with every argument for design, and every argument for revelation and intervention, that has ever been made.[/TD]
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[TD="align: right"]—Christopher Hitchens, on what by necessity follows from all arguments from design[1][/TD]
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The argument from design, also known as the teleological argument, is an argument for the existence of God (or life-engineering aliens) that may be summarized as follows: When I see a complex object such as a watch, I know it has been designed: therefore, when I see a complex object such as a tiger, I should infer that it has been designed. This act of comparing two objects and drawing similar conclusions based on similarities (while ignoring important differences) is a prime example of a false analogy.
The argument from design, also known as the teleological argument, is an argument for the existence of a divine designer based on instances of order or purpose in nature. The argument has been used since ancient Greece and remains a popular argument. The intelligent design movement is based on this argument. The conclusion only states there is a designer but does not support any particular religion.
Arguments for and against the validity of the argument have been advanced by many philosophers and apologists. David Hume was highly critical of the argument in his seminal book Dialogues Concerning Natural Religion. William Paley introduced the Watchmaker analogy which is a popular wording of the argument.
A typical argument from design is as follows:
"Some natural systems, especially living systems, contain ingenious solutions for solving technical problems. Human inventors must solve the same physical problems in order to achieve similar results [...] Ingenious biological features were [...] engineered by our wise, benevolent, and powerful Creator. Nature has never been observed inventing these kinds of complex structures, each well-suited to its task, and there is not even a theoretical, realistic step-by-step evolutionary explanation for how they could have developed. Thus, in the same way that we infer a painter from a painting, or an engineer from an engine, we infer a Creator from a creation."
[h=2]Formal Argument[/h]There are three formal variants of the argument from design. [2] They are used individually or together in informal statements of the argument.
Deductive version:
Analogical (inductive) version:
[TABLE="class: cquote"]
[TR]
[TD]It would have to mean that the designer of this plan was unbelievably lazy and inept, or unbelievably callous. And cruel. And indifferent. And capricious. And that is the case with every argument for design, and every argument for revelation and intervention, that has ever been made.[/TD]
[/TR]
[TR]
[TD="align: right"]—Christopher Hitchens, on what by necessity follows from all arguments from design[1][/TD]
[/TR]
[/TABLE]
The argument from design, also known as the teleological argument, is an argument for the existence of God (or life-engineering aliens) that may be summarized as follows: When I see a complex object such as a watch, I know it has been designed: therefore, when I see a complex object such as a tiger, I should infer that it has been designed. This act of comparing two objects and drawing similar conclusions based on similarities (while ignoring important differences) is a prime example of a false analogy.
The argument from design, also known as the teleological argument, is an argument for the existence of a divine designer based on instances of order or purpose in nature. The argument has been used since ancient Greece and remains a popular argument. The intelligent design movement is based on this argument. The conclusion only states there is a designer but does not support any particular religion.
Arguments for and against the validity of the argument have been advanced by many philosophers and apologists. David Hume was highly critical of the argument in his seminal book Dialogues Concerning Natural Religion. William Paley introduced the Watchmaker analogy which is a popular wording of the argument.
A typical argument from design is as follows:
"Some natural systems, especially living systems, contain ingenious solutions for solving technical problems. Human inventors must solve the same physical problems in order to achieve similar results [...] Ingenious biological features were [...] engineered by our wise, benevolent, and powerful Creator. Nature has never been observed inventing these kinds of complex structures, each well-suited to its task, and there is not even a theoretical, realistic step-by-step evolutionary explanation for how they could have developed. Thus, in the same way that we infer a painter from a painting, or an engineer from an engine, we infer a Creator from a creation."
[h=2]Formal Argument[/h]There are three formal variants of the argument from design. [2] They are used individually or together in informal statements of the argument.
Deductive version:
- a1) Objects that are designed by humans are ordered*.
- a2) The order* in any object originates from an external source.
- a3) There is no other external source of order* other than a designer,
- a4) An object X (for instance, an eye or the whole universe) is ordered*.
- c1) X was designed.
- c2) Therefore a designer of object X exists.
Analogical (inductive) version:
- a5) Objects that are designed by humans are ordered*.
- a6) A certain object X (for instance, an eye or the whole universe) is also ordered*.
- a7) By analogy human objects are similar to object X, and the causes must be the same.
- c3) X was designed
- c4) Therefore a designer of object X exists.